Enlarge this imageA 1967 portrait of Fats Domino. The singer and pianist died Oct. 24 at age 89.Clive Limpkin/Daily Expre s/Hulton Archive/Getty Imageshide captiontoggle captionClive Limpkin/Daily Expre s/Hulton Archive/Getty ImagesA 1967 portrait of Fat Domino. The singer and pianist died Oct. 24 at age 89.Clive Limpkin/Daily Expre s/Hulton Archive/Getty ImagesFats Domino, one among the architects of rock ‘n’ roll, died Tuesday at his daughter’s suburban New Orleans dwelling. Haydee Ellis, a family close friend, verified the information to NPR. Mark Bone, chief investigator for that Jefferson Parish coroner’s office environment, tells NPR that Domino, who was 89, died of all-natural leads to. During the nineteen forties, Antoine Domino Jr. was performing at a mattre s manufacturing facility in New Orleans and taking part in piano at Arthur Moats Jersey nighttime. Each his waistline and his fan foundation had been growing. That is whenever a bandleader started contacting him “Fats.” From there, it had been a cakewalk to his 1st million-selling report “The Extra fat Guy.” It had been Domino’s 1st release for Imperial Documents, which signed him correct from the bandstand. Producer, songwriter, arranger and bandleader Dave Bartholomew was there. He described the scene in the 1981 interview now housed on the Hogan Jazz Archive at Tulane University. “Fats was rocking the joint,” Bartholomew stated. “And he was sweating and playing, he’d set his entire heart and soul in what he was carrying out, as well as folks was crazy about him to make sure that was it. We built our initial record, ‘The Unwanted fat Male,’ and we never ever rotated.” YouTube Involving 1950 and 1963, Domino hit the R&B charts a reported 59 times, and the pop charts a rollicking 63 times. He outsold Little Richard, Chuck Berry and Buddy Holly combined. Only Elvis Presley moved more information during that stretch and Presley cited Domino as the early master.So how did a black man with a fourth-grade education inside the Jim Crow South, the child of Haitian Creole plantation workers and also the grandson of a slave, sell more than 65 million data? Domino could “wah-wah-waaaaah” and “woo-hooo!” like nobody else while in the entire wide world and he created piano triplets ubiquitous in rock ‘n’ roll. “Blueberry Hill,” for example, was not Domino’s own song it had been 1st published in 1940 and had already been recorded by the likes of Glenn Miller, Gene Autry and Louis Armstrong but Domino’s version in 1956, complete with those right-hand triplets, was unforgettable. Piano player Jon Cleary has Dermontti Dawson Jersey devoted most of his life to the New Orleans sound. “The triplets thing,” he says, “that was amongst the building blocks of New Orleans R&B. And that is really the famous Fat Domino groove. Everybody knows that.” And then there was Bartholomew. He and engineer Cosimo Mata sa perfected a rhythm-heavy sound in Mata sa’s studio which was the envy of rock ‘n’ roll. “Blueberry Hill” may have been Domino’s biggest hit, but Bartholomew wrote Domino’s favorite: “Blue Monday.” “Blue Monday” had other levels of meaning in Domino’s career. Within the 1950s, the birth of rock ‘n’ roll was hard labor. Social critics called the music vulgar. Jim Crow laws segregated Domino’s audiences, sometimes with only a rope. Along with the combination of racial tension and teenage hormones at concerts proved violent: bottle-throwing, tear gas, stabbings and arrests. Domino’s biographer, Rick Coleman, says that there was a real disjunction in between that era along with the work that Domino was producing. “It was not an easy time period, even though the music was beautiful and joyful,” he observes. “It was a hard birth.” YouTube By 1960, Domino’s audience was overwhelmingly white. In South Carolina, the Ku Klux Klan gave his band directions by the light of a burning cro s. The late saxophone player Herbert Hardesty was driving the Domino bus on that occasion. “So I had to make it tight,” Hardesty recounted. “In about five minutes, I came to Ku Klux Klan. They said, ‘Well, where’s Fat Domino?’ I stated, ‘He’s not here.’ They said, ‘What are you guys undertaking?’ I explained, ‘I’m lost, I’m trying to get back to the highway.’ And they ended up very nice the Ku Klux Klan treated us very nice!” The British Invasion sent nearly every American performer tumbling down the charts. And yet longtime confidante Ellis says that Domino wouldn’t change a note. “He claimed, ‘When I play,’ ” she explains, ” ‘I want the men and women to hear exactly what they’re used to hearing on the record.’ And eventually, which was one among the things that created him reluctant to play, let’s say. He Kevin Greene Jersey was afraid that he would, you know, me s up a word or whatever.” Domino toured for many years but eventually settled into life at his compound within the Lower Ninth Ward, cooking loads of hog’s head cheese for his many friends. Then came Hurricane Katrina and everybody thought he was dead. “When Katrina came,” Ellis gasps, “Oh, Lord! Fat would say he wanted to leave, but he said, ‘What kind of male would I be if I left my loved ones? They don’t want to leave.’ ” The household survived. Domino lived out the post-Katrina years within a suburb of New Orleans with one of his eight children. But his house still stands on Caffin Avenue, while in the Lower Ninth Ward, and has been restored in recent years. It’s a reminder of the greatne s that the neighborhood once produced, on the golden age of New Orleans music and of what a fat gentleman can do.NPR’s Anastasia Tsioulcas contributed additional reporting to this article. Gwen Thompkins is the host of WWNO’s Music Inside Out, a program about Louisiana music. You can hear a special edition on Fats Domino with the show’s website.